detail information
| Posted by | Seán Byrne |
| Posted on | 18/03/06 08:54 |
In this page, we carry out various tests such as to see which audio codec bit rates it supports, what types of video is supported and video recording picture quality. For those interested in playing discs from outside of their DVD region, we will cover how to remove the region lock.
Audio Tests:
For these tests, we used Goldwave to create different Wave formats, LAME 3.96.1 to create different MP3 formats and Windows Media Encoder 9 series to create different WMA formats.
Wave Audio
For a start, we decided to check if this recorder is capable of playing Wave files, considering that as the wave file format is generally uncompressed audio, it would be very simple to implement. For the test, we created wave audio files consisting of a combination of different sample rates, bit depths as well as mono and stereo channels. Unfortunately, when we loaded the disc containing the wave tracks, the player did not recognise any of them, let alone showed them as a playback track, so this obviously rules out wave file support.
MP3 Audio
As MP3 is still the most widely used audio format when it comes to consumers carrying their music on the move or downloading it online, some may ask what bit rates it supports or whether it plays variable bit rate, etc. When encoding MP3, we left LAME to decide on the sample rate and MPEG version. We will also test free-format bit rates in which the MP3 is encoded at a non-standard bit rate, such as 125kbps for example.
The Sample rates and MPEG Versions LAME uses for CBR encoding are as follows:
|
Sample Rate (Hz) |
MPEG Version |
Bit Rates (kbps) |
|
8,000 |
2.5 |
8, 16, 24 |
|
16,000 |
2 |
32, 40 |
|
22,050 |
2 |
48 |
|
24,000 |
2 |
56, 64 |
|
32,000 |
1 |
80 |
|
44,100 |
1 |
96, 112, 128, 160, 192, 224, 256, 320 |
The Sample rates and MPEG Versions LAME uses for VBR encoding are as follows:
|
Sample Rate (Hz) |
MPEG Version |
Quality (-V option) |
|
44,100 |
1 |
0 to 6 |
|
32,100 |
1 |
7 to 8 |
|
22,050 |
2 |
9 |
For the Free-format bit rate tests, we tested 88kbps and 152kbps to be in-between the regular bit rates and still be a multiple of 8, 125kbps to test a bit-rate that is both non-standard and not a multiple of 8 and finally from 328kbps to 640kbps in steps of 8kbps.
The results of all the MP3 tests are as follows:
|
Type of test |
Result |
|
All standard CBR bit rates 8Kbps to 320kbps |
Pass |
|
LAME quality encodings from 0 to 9 |
Pass |
|
LAME Free-format at 88kbps CBR |
Fail |
|
LAME Free-format at 125kbps CBR |
Fail |
|
LAME Free-format at 152kbps CBR |
Fail |
|
LAME Free-format 328kbps to 640kbps in steps of 8 |
All Fail |
It is nice to see that the Recorder can play all standard bit-rates in both constant bit rate and variable bit rate. This means that no matter what MP3 one may come across, as long as it is a standard compliant MP3 file. However, for audiophiles and those who may use non-standard bit rates, this Recorder will get stuck attempting to play the dud track. The 'Next' button must be pressed in order to get past a track. Unfortunately, this means that if one decides to play a disc containing a large compilation of MP3 files, they will need to ensure that it does not contain any 'dud's", otherwise the player will likely get stuck once it reaches one.
WMA Audio
As pretty much everyone has Windows Media player installed on their PC and many use it to rip their music into WMA (often without realising it), it is handy to be able to play Windows Media audio also. Note that this recorder does not support WMA DRM, which means that Windows Media Player's copy protection feature must be disabled. When WMA version 9 came out, Microsoft added a professional WMA format as well as a Voice WMA format to this version, so these tests will cover testing out these special versions of WMA.
As Windows Media encoder gives so many combinations of bit rates, sample rates and options for encoding WMA, we have grouped bit-rates for a sample rate together to shorten the table when ever a group all passed. For a few bit rates, Windows Media Encoder gave a 'Low Delay' option by default, so in these few cases, there is an '*' beside the bit rate.
The results are as follows:
|
Format |
Sample Rate (Hz) |
Channels |
Bit Rates (kbps) |
Result |
|
Standard |
8,000 |
Mono |
5, 6, 8 |
Fail |
|
Standard |
8,000 |
Stereo |
12 |
Fail |
|
Standard |
11,000 |
Mono |
8, 10 |
Fail |
|
Standard |
16,000 |
Mono |
10, 12, 16 |
Fail |
|
Standard |
16,000 |
Stereo |
16, 20 |
Fail |
|
Standard |
22,050 |
Mono |
16, 20 |
Pass |
|
Standard |
22,050 |
Stereo |
20, 22, 32 |
Pass |
|
Standard |
32,000 |
Mono |
20 |
Fail (Crash) |
|
Standard |
32,000 |
Stereo |
32, 40, 48 |
Pass |
|
Standard |
44,100 |
Mono |
20 |
Fail (Crash) |
|
Standard |
44,100 |
Mono |
32, 48 |
Pass |
|
Standard |
44,100 |
Stereo |
32 |
Fail (Crash) |
|
Standard |
44,100 |
Stereo |
48, 64, 80, 96, 128, 160, 192, 256 |
Pass |
|
Standard |
44,100 |
Stereo |
320 |
Fail |
|
Standard |
48,000 |
Stereo |
63*, 64, 95*, 96, 127*, 128, 160, 191*, 192 |
Pass |
|
Bit Rate VBR |
44,100 |
Stereo |
48, 64, 96, 128, 160, 192 |
Pass |
|
Bit Rate VBR |
48,000 |
Stereo |
128, 192 |
Pass |
|
ABR Peak |
44,100 |
Stereo |
48, 64, 96, 128, 160, 192 |
Pass |
|
ABR Peak |
48,000 |
Stereo |
64, 96, 128, 192 |
Pass |
|
Quality VBR |
44,100 |
Stereo |
Variable (Qualities 10 & 25, 50, 75, 90, 98) |
Pass |
|
Quality VBR |
48,000 |
Stereo |
Variable (Qualities 90 & 98) |
Pass |
|
Voice |
22,000 |
Mono |
22 |
Fail |
|
Professional |
44,100 |
Stereo |
127* |
Fail |
|
Professional |
44,100 |
Stereo |
128 |
Fail |
Note: * = Low Delay
Unlike the MP3 format, the recorder will only play some of WMA's standard bit rate encodings. On most of the low bit rates it fails on, the recorder gets stuck like with playing a free-format MP3. Unfortunately, if we attempt to play a few certain bit rates (indicated by 'Crash' in the above table), the player will totally lock-up where we need to pull the plug! As a result, we strongly advise sticking with typical WMA bit rates from 48kbps up or better still, use the MP3 format for very low bit rate encodings. The recorder will play all variable and average bit rate encodings, however the Recorder does not support the new Voice and Professional versions of WMA included from version 9. If we attempt to play a Voice or Professional format WMA file, it gets stuck like with the MP3 free-format encodings until we navigate to the next track.
While this recorder is capable of playing MP3 tracks up to 320kbps, we were rather disappointed with the sound quality, regardless of the bit rate. The audio seems to have quite annoying high pitched artefacts which make a mess of high hats and multiple voices. For example, these artefacts are really noticeable in the song Sunchyme by Dario G as well as songs with high-hats, symbols, etc.
MPEG 1 &
2 Video Tests:
For the Video tests, we got some MPEG1 files encoded in both NTSC (352 x 240) and PAL (352 x 288), some MPEG2 files also encoded in both NTSC (720 x 480) and PAL (720 x 576) sourced from DVDs and finally some MPEG2 files recorded directly off to satellite including one small HDTV clip for curiosity sake. We tried video content on both CD and DVD recorded as an ISO data disc and can confirm that the Recorder will play video content off both disc types.
The results of these video tests are as follows (each tested from CD-RW and a DVD+RW):
|
Version |
TV Standard |
Source |
Resolution |
File Ext. |
Result |
|
MPEG 1 |
PAL |
Encoder |
352 x 288 |
.MPG |
Pass |
|
MPEG 2 |
NTSC |
Encoder |
352 x 240 |
.MPG |
Pass |
|
MPEG 2 |
PAL |
DVD |
720 x 576 |
.MPG |
Picture Only |
|
MPEG 2 |
NTSC |
DVD |
720 x 480 |
.MPG |
Picture Only |
|
MPEG 2 |
PAL |
DVD |
720 x 576 |
.VOB |
Pass |
|
MPEG 2 |
NTSC |
DVD |
720 x 480 |
.VOB |
Pass |
|
MPEG 2 |
PAL |
Satellite |
352 x 576 |
.MPG |
Fail |
|
MPEG 2 |
PAL |
Satellite |
480 x 576 |
.MPG |
Pass |
|
MPEG 2 |
PAL |
Satellite |
528 x 576 |
.MPG |
Pass |
|
MPEG 2 |
PAL |
Satellite |
544 x 576 |
.MPG |
Pass |
|
MPEG 2 |
PAL |
Satellite |
704 x 576 |
.MPG |
Pass |
|
MPEG 2 |
PAL |
Satellite |
720 x 576 |
.MPG |
Pass |
|
MPEG 2 |
PAL HDTV |
Satellite |
1920 x 1080 |
.MPG |
Fail |
As shown in the table, this Recorder has no problem accepting standard video files, whether from an encoder with a standard .MPG or clips taken from a DVD with a .VOB file extension. Unlike with a TV tuner, a satellite DVB tuner does not perform MPEG 2 encoding, but instead captures the live incoming MPEG 2 digital stream and pipes it into a file. As a result, the resolutions above for satellite are actually what ever resolutions were used on the source digital satellite TV channels. For example, Sky News uses a resolution of 544 x 576, so if a recording is made from this channel, the recording will have the same resolution. This recorder was able to play all by the recordings, with the exception of those made from channels that use a resolution of 352 x 576. This recording along with the HDTV recording failed to start playing (no picture). The clips taken from DVD with the file extension renamed to 'MPG' played, but without any audio. Finally, we tried playing an MPEG1 file copied with the file extensions '.mpeg', '.m2v', '.m2p', '.mp2' and '.mpv', however the recorder would not show any of these as playable files let alone attempt to play them.
The ability to play back the majority of satellite recordings and individual MPEG files means that one can fill a DVD with these without having to re-encode their content to make it DVD-Video compliant, at least for playback in this Recorder. However, the file extensions of MPEG1 and 2 files must be renamed to '.mpg' in order to play these, with the exception of VOB files.
XviD Video
Tests:
While this recorder is capable of playing DivX and XviD files, it is unclear which MPEG4 encoding features it will handle. For example, a DVD player that may support XviD files may not support Global Motion Compensation (GMC) or an AVI file with AC3 audio. So, for these tests we will use XviD's different advanced encoding features and see how the recorder reacts to each encoded file.
The source file is a PAL video clip taken from a DVD containing a mixture of still scenes, full screen motion, partial motion (such as a person walking) and random motion such as TNT explosions. Apart from one clip with a resolution of 528 x 576 (for the aspect ratio test), all of our clips were sourced from a 720 x 576 video source. We used quality based encoding (Quality 10) with the default XviD options except with 1 B-VOP max and the encoding features specified in the table. For the encoding process, we used TMPGEnc MPEG2 mod.
|
Encoding Features |
Result |
|
Quality 5 based encoding with default options |
Pass |
|
Quality 10 based encoding with default options |
Pass |
|
Maximum of 2 B-VOPs |
Fail - Frames are dropped on scenes with partial motion. |
|
4:3 Aspect ratio specified with 528x576 res. |
Pass - Fills 4:3 screen |
|
16:9 aspect ratio source |
Pass - Letterbox on 4:3 screen |
|
AC3 Audio track |
Pass |
|
Adaptive Quantization |
Pass |
|
Global Motion Compensation |
Fail - Image freezes during any scene with full screen motion |
|
Interlaced source with top field |
Pass |
|
Interlaced source without top field |
Pass |
|
Packed bitstream with 1 B-VOP max |
Pass |
|
Packed bitstream with 2 B-VOP's max |
Fail - Frames are dropped on scenes with partial motion |
|
Quarter Pixel |
Pass |
|
Two sound tracks |
Pass - Both selectable |
|
Subtitles (.rar file) |
Fail - Subtitle menu greyed out |
|
Subtitles (.sub file) |
Fail - Subtitle menu greyed out |
It is nice to see most of XviD's features supported, particularly those encoded with packed bitstream, AC3 sound, quarter pixel or a specified aspect ratio. Unfortunately, like most other XviD compatible DVD players, Global Motion Compensation and encodings with 2 consecutive VOP's are not supported. In all of our clips converted using TMPGEnc, we did experience a small sync issue with the audio and video, however this may be an issue with the way TMPGEnc muxes the audio and video in the AVI file and all TMPGEnc encoded clips also had a brief bit of image freezing about 8 seconds into the playback. However, we did not have any audio sync issues using files that were encoded by Auto GK. When we used Auto GK to create an AVI containing a 2nd audio track as well as external subtitles, the 2nd track came up as a selectable option as with playing a multi-soundtrack DVD. However, the recorder does not support subtitles, whether included as a separate .rar file (as created by Auto GK) or with the .sub file extracted.
MP3s on DVD as a
Jukebox:
As this Recorder is capable of playing MP3's from CD, it would be interesting to see how well this performs with a DVD filled to the brim with MP3's, especially since a DVD can hold well over 1,000 tracks, thus potentially turning the Recorder into a useful standalone Jukebox. For this test, we filled a DVD+RW with several albums and folders of music, along with one containing over 900 tracks to see how well it handles a huge folder.
When we loaded the disc, it took 27 seconds from the time of loading the tray until it gave the media selection screen. The first track started pretty much straight after selecting the 'Music' option. Like playing a CD containing multiple folders of MP3 tracks, it is possible to jump from folder to folder using the 'Top Menu' and 'Menu' buttons, which function as jump to previous and next album respectively. The one drawback we experienced as we pointed out earlier is that it is not possible to display a track browser, which means that without a printed listing of what is on the CD/DVD, the only way of finding a particular song is to manually navigate through them one by one with the 'Display Information' enabled. Track seeking performance is very good with a given track number starting to play within a second of keying in the track number. Unfortunately, as it is only possible to navigate between albums one by one, it can be quite a tedious process to navigate to particular album if there are a large number of folders present on the disc. Also, the recorder will not allow navigation to the next or previous album until the player begins playing the current one, which means that jumping to a 20th album is not as simple as rapidly pressing the 'Next Album' button 20 times in a row.
The following screen shows an example of playing a large folder with the 'Display Information' option turned on:

Due to the tedious process of navigating from folder to folder, we would recommend using as few folders as possible, such as placing compilations of singles and favourite tracks from albums into a single folder. One good use would be using the DVD player for background music with the 'Shuffle' option enabled.
Play Mode Picture Quality Tests:
As the main purpose of this DVD Recorder is to record content, one of the first things consumers would like to know is what its picture recording quality is like. When it comes to a VCR, there are a lot of items that affect the picture quality such as the tuner, circuitry, recording heads, not to mention the quality of the tape itself.
When it comes to a DVD Recorder or anything else that records in a Digital format, the quality of the medium generally has no effect on the picture quality, unless of course it is poor to the point where the Recorder or player encounters uncorrectable read errors while reading back the disc. The circuitry and heads also have no effect, assuming they are in good working order and do not affect the data being written to or read from the disc. However, what does affect the picture quality is the quality of the tuner and coder (which converts the picture from analogue to digital) as well as the video compressor, which uses lossy compression.
In this section, we show close-up snapshots of the picture quality between the different levels of compression (Play modes) on DVD. We will take a snapshot on a still scene and another of a scene in action to show how well the Recorder copes with different video sources.
For the source, we used a DVD and played it in our Lite-On LVW-5045 DVD Recorder. This was connected up to the Lite-On Recorder using a high quality SCART lead with the output set to RGB. We captured the screenshots directly from the recorded discs on the PC using Nero Showtime's frame step and capture feature. Unfortunately as Nero Showtime captures anywhere between the shown frame to couple of frames ahead of what is shown, we were unable to provide the same frame for each recording, so we cropped to roughly the same portion of the picture in each screen-shot. In the motion scene, the camera panned up at a fairly constant speed and in the relatively still image, the dog's face slowly moved about (down slowly and then gradually to the left).
The following image shows a relatively still scene on the source DVD zoomed in at 2x:

The following image shows a scene in fast motion on the original DVD zoomed in at 2x. In this case, the camera starts pointing in the field and quickly pans up towards the house:

DVD - High Quality
First, we will start with the High Quality mode, where up to one hour's worth of recording at this mode can fit on to a DVD. The following image shows a close-up recording using the 'HQ' mode:

Despite this being the highest quality play mode, unfortunately quite a lot of image detail has been lost, particularly in the fur texture. For example, compare the section under the eye to with that of the original. Just to rule out a possible poor picture quality output from our LVW-5045, we also tried a Sony DVD player and a NeoDigits (using composite cables); all returning roughly the same result as above when we played back the recording.

When it comes to an image in fast motion, the recording turns out close to the original with some detail lost in the flowers.
DVD - Standard Play
The following image shows a close-up recording using the 'SP' mode:

From what we can see, there is only a very slight difference between the recording quality using the standard play and high quality modes.

When it comes to fast motion, we can see virtually no difference between recording in the standard play and high quality modes. With such a difference in image quality between the high quality mode and the original, but very little difference between the high quality and standard play modes, we would recommend using the Standard Play mode, particularly if there is a chance that a further recording may need to be made to the disc later on.
DVD - Long Play
The following image shows a close-up recording using the 'LP' mode:

Despite horizontal resolution being cut in half with the Long Play mode, there is not as much difference in the picture quality as we expected compared with the High Quality or Standard Play modes, besides the picture becoming more grainy.

When it comes to fast motion the Long Play mode shows a fair amount of graininess. For example, the left parts of the wall and the top flowers have some visible artefacts which are not present in the standard play recording.
DVD - Extended Play
The following image shows a close-up recording using the 'EP' mode:

In this mode, we can see a further loss of details with the image looking a bit softer than the Long Play image. For most consumers, this is still acceptable for everyday recordings, considering many VCRs produce a very soft picture.

Despite a fair difference between the relatively still frames, the extended play fast motion picture only looks a slight bit grainier than the long play image.
DVD - Super Long Play
The following image shows a close-up recording using the 'SLP' mode:

When it comes to a point where recording time is most important, this is the quality which can be expected, at least on a relatively still scene. With this mode, the vertical resolution is cut in half and the recording is made in MPEG1. Despite these differences and a much lower recording bit rate, we do not see as much of a difference as we expected between the Extended play mode and this mode apart from the whiskers to the right becoming pixelated in this image.

In the motion scene, this mode shows some further graininess over the Extended Play mode, particularly in the flowers.
Budget 2-head VCR
Just to see how this compares with VHS quality, we used a budget VCR which has less than 100 hours worth of usage and a Mitsubishi 3-Hour VHS tape. We recorded directly from our LVW-5045 to the VCR using a direct Scart-to-Scart connection with the play mode set to 'Short Play' and captured the recording from the tape with the VCR connected directly to the capture card.

When compared with the different play mode recordings from DVD, this image seems to have a slightly stronger contrast than the DVD's recordings, but with a slightly softer image than the DVD recording's standard play mode. However, the standard play image still looks a little more detailed and less grainy than the VCR recording. The following image shows the VHS recording of the fast motion image:

When we compare this shot against our samples from the DVD, again this image looks a little softer than the DVD's standard play mode, but with more detail than the DVD's long play mode.
However, when we play both the VHS and DVD recordings side by side, there is some noticeable noise in our VCR picture, particularly in relatively still scenes which is not present in the DVD image, so for the average consumer who does not have a high end VCR or a Super VHS VCR with good quality tapes, the DVD recording will look superior in most cases at least using its 'SP' and 'HQ' modes and potentially its other modes as well.
DVD - Quick quality comparison of the
modes
The following table shows a close-up thumbnail of each screenshot for each play mode, along with the original:
|
Original DVD |
High Quality |
Standard Play |
|
Long Play |
Extended Play |
Super Long Play |
The following table shows another comparison of each play mode along with the original, but for the fast motion screenshot:
|
Original DVD |
High Quality |
Standard Quality |
|
Long Play |
Extended Play |
Super Long Play |
DVD-R/RW
minimum size test:
In the early days of DVD-R/RW, DVD recorders had to write a minimum of 1GB of data to DVD-R/RW as apart for the requirement for the format. This means that for very short recordings, the recorder had to write an extended lead-out in order to meet this requirement. As a result, the drawback was that the less material that was recorded on the disc, the longer the finalisation process took in order to finalise the disc. This restriction has since been removed, such as according to this Pioneer article.
For this test, we formatted an Imation 4x DVD-RW with quick initialisation and recorded one minute's worth using Super Long Play. Next, we timed the process it took to finalise the disc and compared the time it took against a finalisation on the same disc when we filled it to the brim earlier in this review. From our recorded times, the finalisation process took 39 seconds for the disc with one minute's worth of recording in SLP mode and 51 seconds for a full disc recorded in SP mode. This is a clear sign that this former restriction is not applied on this DVD recorder.
Disc file
& folder layout:
While most consumers would mainly use a DVD recorder simply for recording and playback recordings, some users would be interested in using a DVD recorder to capture a recording such that they can edit it on a PC. DVD recorders have the main advantage in that they are dedicated for recording, unlike PC based recording where it is possible for some background process or application to interrupt the recording process if it starves the recording application of CPU resources. Unlike recordings made on a PC, this DVD recorder records the content as a DVD compliant disc, so editing the disc's content on a PC is much like editing the content of any other Video DVD, with the exception that there is no CSS to worry about.
There are several ways of storing the titles in VOB files. On many Video DVDs such as those containing TV episodes, each title is stored in a separate VOB file, such as 'VTS_01_1', 'VTS_02_1', etc. and split again if a particular title exceeds 1GB in size. On others, the titles are all grouped together stored in a series of 1GB VOB files (since 1GB is file size restriction for a VOB file) with the final VOB file containing the remainder, resulting as 'VTS_01_0', 'VTS_01_1', etc.
So, for this test, we are interested in seeing if this DVD recorder will store each title in a separate VOB file or if each title is given its own VOB file. The advantage with a separate file per title would make it an advantage for those who intend editing the video later on a PC or plan on copy off the VOB files to archive off with individual titling. We loaded a blank DVD-RW, quick initialised it and recorded seven titles of various lengths. One title was 20 minutes in length using HQ to make sure it would consume more than 1GB of disc space. As 6 titles can fit on a page, the 7th title is there to see if anything special happens when a new page is created. The following Windows Explorer screen shows the file layout after we finalised the disc and opened it on a PC:

As we can see from the above file listing, the recorder just keeps appending each title to the existing VOB file; only splitting the file when it reaches 1GB in size. The 'VIDEO_TS' file contains the two menu pages that were created on the disc, which can be viewed in an MPEG2 editing tool. The first title begins in the 'VTS_01_1' MPEG file. When we open this file in an editor and start navigating through the VOB file, the time stamp goes back to zero when we reach the next title, so finding the start & end points of particular title is not that difficult by simply navigating back until the time stamp reaches zero or forward until the time stamp returns to zero. For titles that split on to the next VOB file, it is simply a matter of merging the two together. The freely available Mpg2Cut2 MPEG2 editing tool can merge VOB files.
While giving each Title a separate VOB file may make opening individual titles a lot easier, having the titles grouped together does have an advantage in that it is much easier to recover deleted titles as well as the remainder of partially overwritten titles. When a title is deleted, the recording still remains in the VOB file, which can be easily extracted using any good MPEG2 editor that can open VOB files. For existing or deleted titles that are partially overwritten, extracting the remainder with an editor is much like navigating through a VHS tape to find the start of what is left of the overwritten recording.
The 'VIDEO_RM' folder contains several temporary files that the DVD recorder stores during the creation of a disc, which also remain present even after the disc is finalised. The following screenshot shows the contents of the 'Video_RM' folder with the file extensions:

Removing the
region lock:
Since the first DVD players came out, they are required to enforce a region restriction such that the player will only play discs matching its region code. As a result, this allows the movie industry to prevent consumers from attempting to purchase DVDs outside their designated region, such as trying to purchase a move released early in the US and take it back to Europe where it is still showing in the cinema. For example, if we attempt to play a Region 1 disc sourced from the US, all region 2 compliant DVD players and recorders such as in Europe will reject the disc. The following screenshot shows what happens if we attempt to play the region 1 disc 'Garfield & Friends" in this Recorder:

One nice feature about this drive is that the region restriction can be removed or changed with a simple secret key sequence. Just be warned that this not an official feature of this Recorder and is not supported by Lite-On. This means that Lite-On is free to remove this region changing feature in a future firmware revision.
To remove or set the region enforcement, simply bring up the setup menu by pressing 'Setup', navigate down to the 'Exit' icon and then key in the digits 2, 9, 6 and 0. The following screen will show:

On this screen, simply select the region that matches the disc or select 'Region Free' to allow playback of the foreign region disc. On certain discs, it may be necessary to select the region code that matches the disc as some discs are designed to play if it detects that region coding is not present. To exit the menu, press the 'Setup' button. Once the disc's matching region is selected (or 'Region Free' with most discs), the disc will begin playback:

We can also confirm that a change in the region setting is retained even after unplugging the unit.
Now, that concludes our review of the Lite-On LVW-1105HC+. Head over to the last page to read our conclusion…






I don´t understand the following text in this review about the Lite-On LVW-1105HC:
http://www.cdfreaks.com/article/263/11
Positive:
Excellent DVD+R, DVD-R and DVD-RW recording quality.
Negative:
Disappointing recorded picture quality with both HQ and SP modes.
What do these words mean:
recording quality
and what does these words means:
recorded picture quality
or is the meaning of them the same?
If both words have the same meaning, then there ist the decent recording quality.
In the review stand this:
Decent recording quality in its long play modes.
Allthough, isn´t that Long Play Modus is always not so good as short play or HQ modus?
Why is the record quality from the long play modus in this Lite-On LVW-1105HC even better then the record quality in the HQ or SP modus?
Friendly Greetings from
Moe Perry













DVD-R/RW Recording performance
Conclusion
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